Nathalia Crane: The First Reformer

Janet Weight Reed – magical hummingbird – from jcrhumming.wordpress.com (reduced)

The fourth part of Lava Lane, and Other Poems (1925), titled Saints and Reformers, contains six poems. Three of them explicitly mock religion. “Sunday Morning” tells of God’s activities at that moment, such as “Counting the Yiddish babies” or “Waving the popcorn scepter,” and finally “God, on a Sunday morning, / Reaching the dotage stage.” In “The Making of a Saint,” a woman dies in a garret, so “The lords of the rafters were sorry— / The spider, the moth, and the mouse,” and they manage to obtain some advantages for themselves and their garret by making her a saint. In “The Edict,” an editor advises a saint on how to write his story, so that it will be widely read. CONTINUE READING / CONTINUER LA LECTURE…

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Francis Thompson: Daisy

Hans Olaf Heyerdahl - Little girl on the beach - from Wikimedia Commons

Hans Olaf Heyerdahl – Little girl on the beach – from Wikimedia Commons

After being rescued from vagrancy, the poet Francis Thompson was brought by Wilfrid and Alice Meynell to Our Lady of England Priory in Storrington, West Sussex, where he stayed in order to recover from his opium addiction. In his “Biographical Note” introducing Selected Poems of Francis Thompson, Wilfrid Meynell wrote: CONTINUE READING / CONTINUER LA LECTURE…

Fleurs secrètes

Les chemins de la bien-aimée

Jules Pascin - Flora aux fleurs (1928) - provient de All Paintings

Jules Pascin – Flora aux fleurs (1928) – provient de All Paintings

Le long d’un sentier qui ondule comme une caresse, je découvre les fleurs les plus belles, celles que je n’avais jamais pu approcher. Doucement, tendrement, je m’approche et je m’incline pour respirer leur parfum puis déposer un baiser sur leurs frêles corolles.
Sous les fleurs se cache la poésie qui n’ose dire son nom, celle des sentiments suprêmement niés.
CONTINUE READING…

Émile Blémont : Au saut du lit

Sulamith Wülfing – The Young Girl (1942) - from Pigtails in Paint

Sulamith Wülfing – The Young Girl (1942) – from Pigtails in Paint

Dans Les matins d’or et les nuits bleues, la première partie du recueil Les pommiers en fleur : idylles de France et de Normandie d’Émile Blémont (1891), j’ai choisi ce beau poème, où l’auteur chante l’éveil et l’amour envers sa “petite inspiratrice”, avec qui il veut être “comme Dante et Béatrice” et cueillir des fleurs qui ne se faneront jamais. CONTINUE READING…